Image courtesy of Disney
California School of the Arts

Bringing the 1941 classic ‘Dumbo’ to life

In Disney’s latest film, the audience is taken back in time to the days of circuses and magic acts. The 1941 animated film “Dumbo” is brought to life with the live-action remake starring a cute, blue-eyed, large-eared baby elephant and his circus family.

Holt Farrier (Colin Farrell) returns from war to the Medici Brother’s circus to perform as a trick rider, but when his horses are sold, he’s put in charge of taking care of the elephants by Mr. Medici (Danny DeVito). His two children, Milly (Nico Parker) and Joe (Finley Hobbins) visit the elephant one night after Dumbo’s mother is shipped away when declared ‘mad’, and discover that it can fly.

Entrepreneur V. A. Vandevere (Michael Keaton) and an aerial artist Colette Marchant take immediate notice of the circus’ sudden fame and hires the troop into their Dreamland amusement park to make Dumbo a star.

Director and executive producer Tim Burton, who is known for “Edward Scissorhands,” “The Nightmare Before Christmas” and countless of other legendary films, pieced the film together, giving the classic movie his own twist.

“For me the reason I wanted to do [this film] was because the old Disney movies had all these elements, they had joy, they had humor,” Burton said. “And death,” he adds in, raising laughs from the crowd. “We’re trying to present these things without overdoing in a fable-like way. We wanted to let it present itself and not dictate it.”

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V.A. Vandevere’s (Michael Keaton)
Dreamland park (Image courtesy of Disney)

Unlike the animated film, the elephants and animals do not talk. Dumbo had to find a way to communicate other than words, through his emotions on his face, eyes and body language.

“It was Tim’s eye that kept evolving towards how he wanted to see Dumbo. He wanted something heightened, to work on the skin and the eyes and the movements and the flying,” Katterli said. “We wanted to create a complete, super, immersive world. We wanted that special something that hallmarks a Tim Burton in stylization, caricatures, [and] satire.”

Danny Elfman, who has previously worked with Tim Burton on films like “Batman,” “Beetlejuice” and others, composed the music in “Dumbo.” A well-known composer, it is a surprise to hear that he originally never wanted to create film music.

“Two things in film I never expected to do was act and music, but it’s weird it worked out that way,” Elfman said. “It felt like there was a world that [could] bring classical music listeners and film fans together. I started writing pieces that would bridge these audiences together.”

Much of the movie was filmed at the Cardington Airfield Hanger in London, where V.A. Vandevere’s Dreamland comes to life. Colleen Atwood, a frequent collaborator with Burton, designed the film’s costumes and its aesthetics.

“[The world] bridges between fantasy and reality. One thing that’s amazing is that so much of it is real, like the sets with the big circus parade. You realize you are in a really magical, very rare place that you might never get to be in again. You really felt like you’re in the moment. It was a really amazing experience,” Atwood said.

The production designer of the film Rick Heinrichs, met Tim Burton at Disney and they became frequent collaborators, working together on “Sleepy Hollow,” “Beetlejuice,” and many others.

“Every movie I’ve worked with Tim on has been an adventure onto itself in many respects. You dig deep into the history to bring all the toys to play on the table and Tim sweeps all that aside and you put it back together as a Tim Burton film,” said Heinrichs. “It’s a blank canvas that you start off with; it’s dangerous, challenging, exciting.”

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Journalist Jeremy Hsiao at Dumbo Press Conference at Los Angeles (Photo courtesy of Andy Hsiao)

 

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Photo courtesy of Andy Hsiao

 

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Photo courtesy of Andy Hsiao

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